This module aims to further consolidate students’ practical experience and theoretical knowledge of digital audio post production and its application across a range of media platforms.
Recording Environments
Recording Environment, acoustic signature and signal manipulation, frequency response, modulation and reconfiguring for post-production recreation of alternative acoustic signatures and environment simulation.
Post-Production Editing and Mixing Techniques.
Audio Post-Production Techniques utilising analogue, digital and analogue/digital combinationsMulti-bus routing, theory and application in studio post-production environments; Non-Linear Audio recording, editing, mixing and multitracking.
Post-production Processing.
Post-Production Techniques; graphic and parametric equalisation; 3D spatialisation and surround sound modes; FX processing, reverberation; specific frequency modulation in plate, hall, chamber, chorus, phase FX; flange, pitch, detune, delay; echo, modulation, enhancers, vocal processing; MIDI sample manipulation techniques and practices; Foley recording and production.
Dynamics Processing.
Audio Dynamics; sound envelope, dynamic range and attributes, expansion, gating, compression, ducking, limiting; analogue and digital Audio Dynamics technologies and creative applications in recording and Post-Production; Mastering techniques.
Foley
The importance of custom sfx, design principles and the practice of Foley production, creation and utilisation increative audio productions and soundtracks for visual media and game applications.
| Module Content & Assessment | |
|---|---|
| Assessment Breakdown | % |
| Other Assessment(s) | 100 |